Lecture Times and Locations:
Tuesdays and Thursdays
11:00 a.m.-12:30 p.m.
145 McCone Hall
1:30 p.m.-2:30 p.m.
253 Evans Hall
Note that I do not respond to student emails on the weekends.
"I really liked the expertise of the instructors and how they were authentic, open, and approachable"
—CCM474A Civic Advocacy
Marylhurst University, Spring 2012
"...a very engaging approach and encouraged students to be co-instructors"
—CCM 366E Intermediate Social Media
Marylhurst University, Spring 2012
American Cultural Landscapes, 1990-Present, Acting Instructor. This course explores the relationship between landscape, the built environment, and American cultures.
America at Play (American Studies 10), Dr. Christine Palmer. Graduate Student Instructor position. This course explores the relationship between American cultures and attitudes and activities of leisure.
At Home in America (American Studies 10), Dr. Kathleen Moran and Dr. Christine Palmer. Graduate Student Instructor position. This course explores the representation and realities of the American home, including notions of domesticity, ownership, identity, and decline.
Frontiers in American History and Culture (American Studies 10), Dr. Mark Brilliant and Dr. Christine Palmer. Graduate Student Instructor position. This course explores different notions of frontier in American history, including the 19th century wilderness, the suburbs, space, and the Internet.
The Birth of Consumer Society (American Studies 101), Dr. Kathleen Moran. Graduate Student Instructor position. This course concentrates on the emergence of U.S. consumer society in the 1880-1914 period.
American Cultural Landscapes: 1600-1900 (Geography 160), Dr. Paul Groth. Graduate Student Instructor position. This course was developed from that taught at Berkeley and Harvard in the 1960s and 1970s by J.B. Jackson
American Cultural Landscapes: 1900-Present (American Studies 112), Dr. Paul Groth. Lead Graduate Student Instructor position. This course was developed from that taught at Berkeley and Harvard in the 1960s and 1970s by J.B. Jackson
Civic Advocacy: Influencing Government for Positive Change (CCM 474A). A workshop on successful negotiation with public sector employees and public officials, using principles of applied conflict principles and linguistics.
Intermediate Social Media (CCM 376E). A workshop on developing a digital presence that supports personal strategic communication goals.
Introduction to Social Media Communications: Facebook, YouTube, Twitter, & More (CCM 366E).
ABOUT the ADDENDUM
The Addendum is an occasional blog about cities, culture, books, writing, photography, and painting. Here is where I post my thoughts and reflections, updates about projects I am working on, and other original content.
The blog takes its name from small publications that were inserted into books with corrections, additions, and expansions, allowing a book to be updated without reprinting; The Addendum serves much the same function for this site.
PUBLICATION: The Modern Streetcar: Transit or Time Machine?Fall 2013 It seems like every U.S. city has a modern streetcar project in the works. Are these meaningful additions to the transit landscape, or merely amusement rides for nostalgic tourists? The National Railway Historical Society gave an entire issue of the Bulletin to examine these issues.
Tag Archives: Philosophy
Mad Men ´The Carousel´ from Emilio on Vimeo. I’ve been writing a lot lately about the purpose of photography, and how it might be shared with others. One of the ideas I just lightly skimmed on was the issue of … Continue reading
Should photographers think more like a guerilla? Recently, I wrote here questioning the ways that photography is displayed and shared with the public. My basic premise: that the typical ways that photography is shared — the gallery wall, the publication, … Continue reading
East Second Avenue, 2008. From the the Portland Switching District Project. This April, I completed the run of my first photo exhibit, a short preview show of selected images from the Portland Switching District Project. The show was hosted at … Continue reading
Recently, my life got pretty darn hectic. I made a mad dash to Chicago for the Center for Railroad Photography and Art conference, as I previously noted, and then made a mad dash back just in time to start a … Continue reading
Beauty and Meaning: Two essential tensions of photography. Willamette Draw and the abandoned Atofina Chemicals terminal, Portland, Oregon, 2010. One of the essential tensions of photography is that between a photographer’s style and the substance of his or her photographs. … Continue reading
The Yashicamat, a tempting MF camera. Photo by tim_d, used under Creative Commons license. Recently I’ve been spending a lot of time on sites like KEH and Blue Moon and eBay considering used medium-format cameras. For those unschooled in the … Continue reading
In Between. Portland, OR, March 2010. Kodak TMY. This month I have two articles in the Online Extras section at the website of TRAINS Magazine. Both of these stories were written for a content extra that promotes the activities of … Continue reading
Checking For Obstructions. Portland, OR, March 2010. Kodak TMY. This week, a friend picked up a copy of David Plowden’s retrospective, Vanishing Point, a book I once wrote a Russian-novel length review of here. I’ve come to be a great … Continue reading